SELECTED EXHIBITIONS:

Just 40, Cultivamos Cultura, Sao Luis, Portugal, Summer 2015.

Vermiculture Makers Club, Kentucky School of Art in Louisville, KY. March 6 - April 17, 2015

Home ECOnomics: communal housekeeping for the 21st century, Wignall Museum of Art
Rancho Cucamonga, CA. Sept 8 - Nov 22, 2014. Curated by Danielle Giudici Wallis. See photos of my work And a nice online catalog, too.

Please Don't Tap on the Glass, Mote Gallery, Columbus, OH. July 8 – Aug 3, 2014.

Beyond Human: artist - animal collaborations, Peabody Essex Museum, Salem, MA. Oct 19, 2013 - Sept 7, 2014. Exhibited: Museum for Insects

Food Situations, Banvard Gallery, Knowlton School of Architecture, Ohio State University, Columbus, OH. Oct 9 - Nov 20, 2013

LichtRouten 13, Lüdenscheid, Germany, September 2013

Bioart: LIFEAFFAIRS, at New Media Gallery, Kosice, Slovakia, October 2012.

Inosculation, at Urban Arts Space, Columbus, OH. Oct 9 - Nov 17, 2012

YorkArts Gallery, York, PA. Sept 29 - Nov 30, 2011. Biological Aesthetics

National Art Museum of China, Beijing, China. July 26 - Aug 17,, 2011. Translife: International Triennial of New Media Art

Spaces Gallery, Cleveland, OH May 13 - July 8, 2011. Farmed: The New Agronomists

DAAP Galleries, Cincinnati, OH April 4 - 29th, 2011. Video Sculpture.

Seton Gallery, University of New Haven, CT. Feb. 22 - Mar. 25, 2011. Loss Generation, curated by Christina Vassallo

Hopkins Hall Gallery, Columbus, OH Jan 3 - Jan 19, 2011. Through the Looking Glass.

Redline Denver, CO. July 5 - August 11, 2010 - Artist Footprints, curated by Viviane Le Courtois

Pomerene Center for the Arts, Coshocton, OH - April 30 - June 27, 2010, Make it Grow, curated by Anne Cornell

Hopkins Hall Gallery, Columbus, OH Oct 26 – Nov 6, 2009, New Works, Amy Youngs and Ed Valentine – curated by Prudence Gill

Cordoaria, Lisbon, Portugal. Sept 24 - Nov 24, 2009, INSIDE Art and science, Lisbon, Portugal. Curated by Leonel Moura

Atrium Art Gallery, Lewiston, Maine. Sept 8 - Dec 15, 2009, Spineless Wonders: Invertabrates as Inspiration, curated by Robyn Holman

Virtueel Museum at Platform 21, Amsterdam, Holland. Nov. 4 - Dec 20, 2009, Domesticated Wilderness, curated by Caroline Prisse

Pomerene Center for the Arts, Coshocton, OH. August 2009 - ongoing, Coshocton Webcam Statue Stage (click for the live webcam) Public project with the Opportunity High School Students and Anne Cornell. Opening pictures on Flickr.

Extrapool, Nijmegen, The Netherlands, April 10, 2009, Anderhalfwitavond, curated by Helma Voskuylen.

Mandeville Gallery, Union College, NY - March 12 - May 20, 2009, Dynamic Equilibrium curated by Rachel Seligman

TEKS: Trondheim Electronic Arts Centre, Trondheim, Norway, Oct 17 - Nov 9, 2008, Hybrids, curated by Espen Gangvik

Museum of New Zealand, Wellington, NZ, June 5 - Nov 22, 2008, Kick the Habit, World Environment Day - curated by Randy Rosenberg

Katherine E. Nash Gallery, Minneapolis, MN., Feb 29 – Mar 27, 2008, Curlturing Nature : : Culturing Technology – curated by Diane Willow

Walter E.Terhune Gallery, Toledo, OH. Nov 5 - Dec 15, 2007 Make Art, Curated by Wynn Perry

Centro Andaluz de Arte Contemporáneo (CAAC), Seville, Spain. May 2 - Sept 9, 2007 Artbiotics - Bios 4, curated by Antonio Cerveira Pinto

Carnegie Art Center, North Tonawanda, NY. Feb 17 - Mar 31, 2007 Phantom Power, curated by Carolyn Tennant

INTERACCESS Electronic Media Arts Centre, Toronto, ON, Canada. Feb 2 - Mar 17, 2007 ZOO, curated by Dana Samuel

Polvo, Chicago, IL Oct 13 - Nov 4, 2006 The Propagation Show, curated by Sabrina Raaf

Urban Institute for Contemporary Arts, Grand Rapids, MI Sept 8 - Oct 13, 2006 Intraterrestrial Soundings

Glass Curtain Gallery, Chicago, IL Aug 28 - Sept 29, 2006 Inactive/Active, curated by Mark Porter

Bell Museum of Natural History, Minneapolis, MN, May 15 – Aug 27, 2006 Bloom! Botanical Art Through the Ages, curated by Thomas O'Sullivan

Ohio Art League Gallery, Columbus, OH, April 1 - 29, 2006 Adaptive Furnishing, curated by Angelo Arnold

Dorothy Uber Bryan Gallery, Bowling Green, Ohio, Oct. 29 - Nov 21, 2005 DNA: Do Not Assume... curated by Jacqueline Nathan

TekniKunst 05, Melbourne, Australia, July 20th, 2005, Impackt video screenings, curated by Jenna Corcoran and Katherine Dine

Tweed Museum of Art, Duluth, MN. April 21 - July 31, 2005, Strategic Dysfunction, Curated by Peter Spooner

Festival Nemo, Paris, France. April 6th and 8th 2005, Independent Exposure: Festival Nemo - Microcinema video screenings

Turtle Bay Exploration Park, Redding, CA. Aug 6, 2004 - March 27, 2005, Bug-Eyed: Art, Culture, Insects – curated by Patricia Watts.

Neuer Standort, Vienna, Austria. Nov 25, 2004, Autumnal Edition 2004 - Microcinema video screenings

SF Camerawork, San Francisco, CA. Nov 9, 2004, Monument Recall: Public Memory and Public Spaces – Film/video screenings

111 Minna Street Gallery, San Francisco, CA. Sept 27, 2004, Autumnal Edition 2004 - Microcinema video screenings

Axiom Theater, Houston, TX. Sept 17, 2004, Autumnal Edition 2004 - Microcinema video screenings

Biennale for Electronic Arts, Perth- BEAP Perth, Australia. September 2004, Sonic Difference – curated by Dr. Nigel Helyer

Art Institute of California, Orange County, Santa Ana, CA. June 2004, Eye Candy and Contemplation – video screenings curated by Michael Mandiberg and Joel Tauber

Springfield Museum of Art, Springfield, OH. June 2004, Ohio Art League Juried Exhibition – juried by Ingrid Schaffner. Awarded the Renee Steidle Award.

California State University Chico, Chico, CA. May 2004, International Video Shorts Festival - Curator, Nanette Wylde

Cleveland State University Art Gallery, Cleveland, OH. Nov 3 - Dec 13, 2003, Second Cleveland Biennial Juried Exhibition - Curated by Timothy Wride. Awarded Best in Show

Spark Video: Beacon, Beacon, NY. Aug 2003, Fusion Media Video Festival - Programmer, Josh Katcher

COSI, CityView Exhibition, Columbus, OH. June 27th – September 28th, 2003, Algorithmic Mash / Machinations - Curated by Ken Rinaldo and Amy Youngs

Pace Digital Gallery New York, NY. April 2003, Digital Downtown – Curators, Jillian Mcdonald, Juliet Ann Martin and Bruce Wands

California State University, Sacramento, University Library Gallery, Sacramento, CA. Nov 18th, 2002, Postflesh: Visualizing the Techno-self Curated by Rachel Clarke

University Art Gallery, Central Michigan University, Mount Pleasant, MI. Oct 7 - Oct 30, 2002, Synthetically Bred

Kent State Gallery, Kent State University, Kent, OH. Sept 16 - Oct 18, 2002, Performative Objects, curated by Isabelle Farnsworth

Experimenta, Melbourne, Australia. Sept 5, 2002, Prototypes, curated by Fabienne Nicholas

Perth Institute of Contemporary Art, Perth, Australia. July 3, 2002, BioFeel - Biennale for Electronic Arts Perth, curated by Oron Catts

Artswatch, Louisville, KY. June 27, 2002, Plug ‘n Play

John Michael Kohler Arts Center, Sheboygan, MI. Feb. 24th - June 9th, 2002, Organic/Mechanic, curated by Lena Vigna

Archetype Gallery, Dayton, OH. Nov 16, 2001. Jan 31, 2002, Intersculpt:Ohio, curated by John Marshall

Sala Alameda, Centro Cultural Provincial, Malaga, Spain. July 25 -September 15, 2001

Centro de Cultura "Antiguo Instituto Jovellanos", Gijon, Spain. February 15 - March 19, 2001

Circulo de Bellas Artes, Madrid, Spain. January 19 - February 6, 2001

School of Visual Arts Museum, New York, NY. Nov. 6th - Dec. 9th, 2000, 8th Annual New York Digital Salon

Betty Rymer Gallery, Chicago, IL. Jan 1999, in::FORMATION - sine::apsis group show of art that makes art during the exhibition.

Vedanta Gallery, Chicago, IL. Aug 1999, Whippersnapper: Emerging Artists

G2 Gallery, Chicago, IL. May 1999, Hyperdomestic Cacti

Contemporary Art Workshop, Chicago, IL. Nov 1998, Neurectopia - sine::apsis experiments group show.

Museum of Contemporary Art, Chicago, IL. June 1998, Live, live - Exhibited Someone, Somewhere Else as part of an interdisciplinary, project between the Chicago Transit Authority, Robert Morris College and the Museum of Contemporary Art.

Northern Illinois Art Gallery Museum, Chicago, IL. Jan 1998, Substance: A Corporeal Examination - Installed 30’ long human hair rug in this exhibition.

San Francisco Public Library, San Francisco, CA. Jan 1997, Eclectic Ecologies - Group show of artists’ responses to contemporary environmental issues in the Wallace Stegner Environmental Center of the Main Library.

Blasthaus Gallery, San Francisco, CA. April 1996, Soundculture ‘96 - the Third Trans-Pacific Festival of sonic art.

Works/San José, San Jose, CA. Jan 1996, Redemption Through Rubbernecking.

ACME Gallery, San Francisco, CA. Sept 1995, Dis-M-Body - Two-person collaborative, multi-sensory, interactive, sculptural installation exploring the disembodied nature of information and messages

SELECT BIBLIOGRAPHY:

Art-Centered Learning Across the Curriculum, Marshall, Julia and Donahue, David M., Teachers College Press, 2014.

Art + Science Now, Wilson, Stephen, New York: Thames & Hudson, p. 40

Green Light: Toward an Art of Evolution, Gessert, George, Cambridge, MA: The MIT Press, 2010. pp. 185-189.

Art and Electronic Media, Shanken, Edward A., ed., London: Phaidon Press, pp. 36, 39

Art in Action, nature, creativity & our collective future, Natural World Museum, San Rafael, CA: Earth Aware Editions, 2007

Participatory Autonomy, Gribenas, Rick, ed., Chicago: University of Illinois. 2006. Pg 98-99, 108.

The Technological Herbarium, Gatti, Gianna Maria, Berlin: AVINUS Verlag, 2010. Pg 217 - 220.

Art in Action, nature, creativity & our collective future, Natural World Museum, San Rafael, CA: Earth Aware Editions, 2007

Participatory Autonomy, Gribenas, Rick, ed., Chicago: University of Illinois. 2006. Pg 98-99, 108.

Closed Circuit Videoinstallationen, Kacunko, Slavko, Berlin: Logos, 2004, p. 648, 650.

Experimenta Prototype: Interactive Media Exhibition, 2002, exhibition catalogue for Prototype exhibition at Experimenta, Blackbox Victorian Arts Centre, Melbourne, Australia. Pg. 23

Information arts. Intersections of art, science and technology, Wilson, Steve, MIT Press: Cambridge/London 2002

SELECTED REVIEWS AND MEDIA SCREENINGS:

 

Jacobson, Annie, "BioPresence Exhibition", NY Arts Magazine, Jan 2016.

Price, Asher, “Whether industry or artistry, drilling remakes Texas’ landscape”, Austin American-Statesman newspaper, May 24, 2014.

Brucker-Cohen, Jonah, “Digestive Table, eating your leftovers so you don’t have to”, Neural.it,
Issue 32, Bari, Italy, 2009.

Beitiks, Moe. “Farm Fountain: Eco-art Meets Aquaculture.” Inhabitant Magazine, 2008

Adresseavisen, Oct. 17, 2008, Trondheim, Norway, Hopper Bukk Over Darwin, (in Norwegian) pg. 10 - 12.

Toronto Star, March 17, 2007, Ontario, Canada, Bugging out over this Zoo, by Peter Goddard.

NOW Magazine, Culture in Toronto, March 1 - 7, 2007, Vol. 26 No. 26, Toronto, ON, Canada, 2007's Best Show So Far, by Stephanie Rogerson.

Star Tribune, August 11, 2006, ST. Paul, MN, Blazing Blossoms, by Mary Abbe. pg. 18F

University of Minnesota Statesman, April 28th, 2005 Duluth, MN, Artists Find Beauty in “Dysfunction”, by Libby Harris. pg. 17

Realtime, Sept, 2004 Australia, Sense Shifts: Sonic Difference, by Jasmin Stephens, review of Sonic Difference

Cleveland Plain Dealer, Dec. 5, 2003 Cleveland, OH, Pictures of the Times, by Amy Bracken Sparks, review of The Second Cleveland Biennial, exhibition.

Artweek, April 2003 review of Postflesh by David M. Roth

Realtime, #51 Oct/Nov, 2002 Australia, BEAP: Art in the Lab? by Stephen Jones

Louisville Eccentric Observer, June 26, 2002 Bringing the Noise By Leslie Millar

METROPOLIS, Spanish Public Television Network, Nov. 22, 2001 "INSECTOS, INSECTOS, INSECTOS..."

Columbus Dispatch, Nov. 19, 2001 "Show Serves Sampler Platter of Faculty Works"

METROPOLIS, Spanish Public Television Network, Feb. 8, 2001 "8th Salón digital Nueva York en Madrid"

The Chicago Reader, Feb. 11, 2000 "Technically Brilliant"

Chicago Sun Times, Feb. 6, 1998 "Body's Mystery Explored in Art"

San Francisco Bay Guardian, March 12, 1997 "An American Original"

Metro, Jan. 18, 1996, Vol. 11, No. 47 "Road Thrills"

Artweek, March 1996, Vol. 22 No. 3 "Redemption Through Rubbernecking"